# HG changeset patch # User Steve Losh # Date 1472601555 0 # Node ID 2f21b9dcab1ce5d1370c75ee3c4f2f2b7bfdbfce # Parent 91e4cb4eaa7b6a760653aa0aef15f5375b3fde71 Update diff -r 91e4cb4eaa7b -r 2f21b9dcab1c README.markdown --- a/README.markdown Mon Aug 29 15:34:04 2016 +0000 +++ b/README.markdown Tue Aug 30 23:59:15 2016 +0000 @@ -75,6 +75,7 @@ [color difference]: https://en.wikipedia.org/wiki/Color_difference [CFFI]: https://common-lisp.net/project/cffi/ [rs-colors]: https://github.com/ralph-schleicher/rs-colors +[linenoise]: https://github.com/antirez/linenoise ## June 2016 @@ -1250,15 +1251,15 @@ read the CFFI docs was like biting into a brick. I think I mostly understand how `sb-alien` works now. Playing around with wrapping up some C stdlib functions in `define-alien-routine` was helpful, and then I compiled - [linenoise](https://github.com/antirez/linenoise) and loaded/wrapped that - successfully, so I've at least got something running. + [linenoise][] and loaded/wrapped that successfully, so I've at least got + something running. * Watched the GDC talk from Brian Moriarty about the making of Loom. I never played the game, but the talk was really inspiring. * More BDD reading. ### 2016-08-27 -* More SICP. +* More [SICP][]. ### 2016-08-28 @@ -1270,3 +1271,16 @@ * Poked around with [rs-colors][], fixing a bug (learning about [`make-load-form`](http://clhs.lisp.se/Body/f_mk_ld_.htm) in the process) and filing another one. + +### 2016-08-30 + +* Dove into CFFI again. This time I had a bit more of a base after poking at + SBCL's FFI stuff, and it was a bit more productive. I wrapped [linenoise][] + pretty much entirely. +* Saw a talk at my school about music recommendation systems. I wish I had time + to poke around at building one myself. All music recommendation engines are + garbage at what I want them for, but I'm probably an edge case so unless + I make something myself I'll continue to sort through tons of crap to find + what I want. +* More [SICP][]. I'm up to the digital circuits part with all the mutability + everywhere and it's delightfully filthy.